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If any chapters you add to books already contain sections of page numbers (implemented through the Section dialog box, which you access via the Numbering & Section Options menu option in the Pages panel s flyout menu), the section page numbering overrides the book s consecutive page numbering. The section page numbering carries through chapters of the book until InDesign encounters a new section start. So if one chapter ends on page iv, the next page starts on page v unless you start a new section. Note that it s fairly typical in magazines to assign the page number in each article s document file because there are usually ads between articles that are inserted later in the printing process.

Because TOs aren t tables, as such, the Tables panel in the Manage Database dialog provides more direct insight into the data structure. However, bear in mind that in a multi-file solution, some or all of the tables may be defined in other files.

Whether you are choosing from the file system or a data source, the image s address can be a filename, a directory path and filename on your system, a directory path and filename on your remote system, or a full URL to a graphic on a completely separate Web server. The file doesn t need to be immediately available for the code to be inserted into your HTML.

If you link to an external CSS file to solve the FOUC problem, be sure the file is posted to the server and contains some content even a single comment will suffice. Failure to link to an existing valid file could cause problems with certain browsers, notably Internet Explorer 5 for the Mac.

Figure 24-2: Flash is a truly multi-faceted tool capable of outputting motion graphics and application interfaces with ease.

After letters have been turned into outlines, there s nothing to stop you from distorting them into shapes that resemble letters only in the most simplistic sense of the word. The results of letter distortion usually aren t all that eye-pleasing, but they can be fun. Few things in life are as pleasing as taking a boring letter Q and twisting it into the letter that time forgot. Or fiddling around with your boss s name until the letters look as evil as your boss does. Or adding pointed ears and whiskers to a random array of letters and numbers and printing out several sheets of them with the words Mutant kittens for sale. When modifying existing letters, use the Direct Selection tool. Select the points or segments you want to move and then drag them around to your heart s content. This can be great practice for adjusting paths, and you might accidentally stumble onto some really cool designs. Type outlines provide you with the flexibility to manipulate letters to turn an ordinary, boring, letters-only logo into a distinct symbol embodying the company s image. Outlines are flexible enough that there really are no limits to what can be done with something as simple as a word of type.

Because most Web page graphics are pixel-based, Pixel Preview mode is specifically intended for graphics that designers want to place on Web pages. This mode lets you view images before converting them to a Web graphics format. Choose View Pixel Preview, and Illustrator places a check mark next to the Pixel Preview option and then shows a raster form of your image. Figure 2.10 shows what you would see in Pixel Preview mode. In the figure, the artwork is zoomed to 400% to more clearly show the effect of Pixel Preview mode.

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